2024 Holiday Gift Guide

  • Key Art Design

  • Campaign Design

  • Digital Art Direction

  • Campaign Design

  • Illustration

  • Motion Graphics

Role

  • Creative Director: Erin Rountree

  • Senior Art Director: John Klopping

  • Photography: Ben Khuns

  • Copywriter: Alex Chavez

  • Production: Vincent Mauro

  • Stylist: Lauren Brady

Crew

The Set Up

The overall concept was to be an approachable guide to gifting. We originally put up an idea that our apparel is quality at an affordable price and it should be based on the mantra, Pants Not $50. While this was well received, our marketing team at the time didn’t feel like we were in a position to run on that. So we worked on other ways we can deliver this message without being so blunt.

Playing off our core product, workwear, we decided that our key messaging would be Gifting Fixed.

Visual Concept

The overall visual was of the made by Humans mantra. Mixed media, illustrative and printed. Imperfect, lived and textural were all the vibe of this. Based on who wears our apparel, what you do in Dickies and how their work space would look.

For the photoshoot, the idea was to build out a set that is a lived spaces. We had different campaigns to shoot into and different moments that needed to stand a part. Holiday Gift Guide Phase 1, Black Friday / Cyber Monday, Holiday Gift Guide Phase 2. We did tiered pricing—shop by $, our Icons and staff picks.

The different spaces were a garage at night for BFCM, studio/workshop for price point and drawing/drafting space for icons.

Shop By Price

To represent the categories I used illustrations of the apparel that were taken from the product drawing vectors. I manipulated them with various brushes and edits, then applied effects that gave it the imperfections of print on paper the type used textures that my daughter and I created from ink and roller on cold and hot press papers. The effects here would also be applied throughout our campaigns and distributed to our global teams.

To help the global team, I created vector files of all of these with the effects applied on editable type. Included with these was a step by step procedure on applying the effects. We didn’t need total consistency as they were meant to be imperfect, but we did need the colors and applications to be the same across all of our channels globally.

Review the email prototypes above by clicking the image or link

The emails for these combined moments of product education, editorial write ups with Staff Picks and breaking down our assortment by price. To elevate the type, I applied the same effects the run throughout the campaign. A little animated drawing and wiggle helps, too.

Set of ads using the Primary Message

Icon messaging for Paid Social ads.

Desktop banner English version of the launch Hero

Desktop banner French version of the launch Hero

Dickies Eisenhower Jacket hung next to Dickies 874 pants in front of OSB wood, shelf of various props above

Emails Evolved

Our email team was open to trying new solves for pairing products. Often this was done in an assortment of SKUs, but we felt that we could elevate this in the same way that we were doing with our other campaigns. The paired apparel slayed in performance. This was later applied to our “business as usual” (BAU) emails.

This campaign was intended to be global. We needed to create a tool kit for any designer in the organization to pick up and carry out the work with a consistent look & feel. Everything from type, color, treatments, animations and file naming conventions needed to be there. There was more that what is shown in the slide below, but this is how I organized the art for any designer to use.

Key Art & Tools

Another variation of the paid assets

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